We look at the physical design and handling, viewfinder and monitor, battery life, features and, of course, the image and video quality. That means you’re sure to find at least one camera that suits your needs, whether you’re a commercial photographer, shoot wildlife, work in video or are simply enjoying picking up a new hobby.Įvery camera in this list has been thoroughly put to the test by our reviewers. This list includes a variety of cameras for all skill levels and budgets, including the best all-rounder, the best full-frame model, the best micro four-thirds and the best retro-style camera. The good news is that we’ve created this guide to narrow your options down to only the best mirrorless models on the market from leading brands like Nikon, Fujifilm, Panasonic and Sony. While it’s great that we have so many choices these days, the fact there are so many mirrorless cameras available can also make the decision more difficult. Mirrorless cameras have seen a huge surge in popularity in recent years, overtaking DSLRs as the go-to choice for photographers and hobbyists alike. We do now have a full set of lab results, though, which you can see below, and these are impressive.If you’re in need of a new camera, chances are you’ve considered a mirrorless model. We don't have any sample video yet, but we will add that just as soon as we can get a sample for long enough to check out the 8K capture and other modes more thoroughly. In use, we didn’t notice a whole lot of difference in responsiveness.īelow you’ll find some sample images taken when in New York when visiting the Fujifilm X-Summit itself, using a final production X-H2. Theoretically, the Fujifilm X-H2’s responses will be slower than those of the X-H2s, but it still feels a very snappy performer with fast and accurate AF (now with Animal, Bird, Automobile, Bike, Airplane and Train recognition, not just face and eye AF). The numerals are big and clear and the white-on-black display has bags of contrast. The status display panel on the top of the X-H2 is especially good and worth giving up shutter speed and ISO dials for. The 5.76m-dot EVF is very crisp and clear, as you would expect from that resolution, and the rear screen is very good too – it’s great to have a fully vari-angle screen rather than a simple tilting screen. We have so far tried the X-H2 with a variety of lenses, including the Fujinon XF 16-55mm f/2.8 and the newly-announced Fujinon XF 56mm f/1.2 R WR – this camera will be sold body-only and with the XF 16-80mm f/4 – and while it feels best balanced with Fujifilm’s smaller lenses, it’s not too unwieldy with the 16-55mm, a likely pro choice for X-H2 buyers. This has no fewer than 7 custom settings (C1-C7) – Fujifilm has opted for in-depth customization rather than a body covered in buttons. These do not follow the traditional external controls of the Fujifilm X-T4, but instead this camera swaps to a conventional mode dial (like the X-H2S). The Fujifilm X-H2 is not a large camera but it has a deep grip for a secure hold and there is a decent amount of space around the controls. One of these, the new Fujinon 56mm f/1.2, is being launched at the same time as this camera. Naturally, it takes the full range of Fujifilm X-mount lenses, many of which are being updated to meet the speed and resolution of Fujifilm’s latest cameras. But the X-H2 will be bought primarily for its resolution, and that brings its real headline features.Įlsewhere, the X-H2 is identical to the X-H2S, with a very good 5.76m-dot EVF, 1.62m dot vari-angle touchscreen and dual CFexpress Type B and UHS-II memory cards. The company also acknowledges that the focus tracking performance will not be the same as the X-H2S’s because it can’t match the faster camera’s readout speed. the scan time, of X-H2 sensor is 1/88sec versus the 1/180sec of the X-H2S What Fujifilm calls the ‘rolling shutter’ time, i.e. With a maximum burst speed of 15fps with the mechanical shutter, it can keep up with most sports cameras for sheer speed. Normally, high-resolution sensors sacrifice speed, but while the sensor in the X-H2 does have a slower readout speed than the one in the X-H2S (it doesn’t use the same stacked design), it’s no slouch. It’s 20 shots rather than the usual 16 because of the unique color filter array of the X-Trans sensor design, and the multi-shot merging happens later on a computer – it’s not done in-camera. The X-H2 has a new 40MP APS-C X-Trans sensor, which is a high enough resolution in itself, but this is supplemented by a 160-megapixel multi-shot pixel-shift mode, which merges 20 separate images into one. Fujifilm X-H2's 40-megapixel sensor (Image credit: Digital Camera World) Fujifilm X-H2: Features
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